Mon, 15 August 2016
Conducted by Josh Brumett and Alex Garcia Topete, this last part of the interview explores the notion of greenness as it relates to art history. The most anthropocentric of all colours, art curator Jens Hauser says , green stands for nature, has something related to growth and constitute a large part of our visual spectrum. From night visual devices to first computer screens, green operates like a technical colour. While being the most toxic colour when it comes to the production of its particles and its pigments, green is used as an attempt to ‘green’ life itself, language, technology, and chemistry. Using Jun Takita’s transgenic mouss sculpture, and Cohen Van Balen's Pigeon D'or as biofacts - that is to say as living system equivalent to the artefact - Jens Hauser reveals how these artworks point to the intervention of human life.To what degree a bioartist has to take into account what will take place in the world? |
Mon, 15 August 2016
James Ferguson talks about early data sonification use in the Voyager satellite mission and other examples including the sonification of the LIGO gravitational waves, He discussed current work that is described in an article in the Communicating Astronomy with the public journal, He and Roger Malina discuss the concerns from some scientists as to whether such sonifications actually mis-communicate with the public. |