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Syndication

Martin Keary is a composer and visual artist based in London. “Apart from publishing work on musical topics, I write music for live ensembles, video games and film. My alma mater is the Royal Conservatoire of Scotland where I completed an MMUS in composition under Gordon McPherson and Rory Boyle.”
 
Martin came to my attention when I ran across this well produced and thought provoking YouTube video on Sonification.

<iframe width="560" height="315" src="https://www.youtube.com/embed/Ocq3NeudsVk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>

This is one of many excellent videos he has produced and distributed on YouTube, but this one was so germane to the topic of this channel that I had to give him a ring. In doing some research on him, I discovered that he is, himself, a very talented composer, which for me gives him some basis for his well founded criticisms of many “sonifications” out there. Here is a pointer to a piece of his that might interest some listeners.

<iframe width="560" height="315" src="https://www.youtube.com/embed/c2yaKi73fp4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>

We had an freewheeling conversation that I hope you find interesting.

I refer but do not name the Temporal Semiotic Units developed at the Laboratoire Musique et Informatique de Marseille. This work may be of interest to some as well. http://www.labo-mim.org/site/index.php?2013/03/29/225-temporal-semiotic-units-tsus-a-very-short-introduction

Direct download: MartinKeary_2017_11_14.mp3
Category:Sound and Data -- posted at: 1:50am CDT