Creative Disturbance

Categories

general
Pioneers and Pathbreakers
Sound and Data
Adventures In Crowdfunding
Meta-Life
Cinemersia
New Leonardos
Virtual Africa
Art and Earth Science
Voices From the Crowd
Big Data Big Dreams
Indie Game Nation
Thoughts on Big Design
The Bold Roast: Student Conversations
Space Art and Culture
Frank Malina
Audiolats
Cellphonia
Noisy People
Within the Margins
RAMI
Rhythmically Inclined
Human Impacts Institute
Artisthinktive Iran: A Forum for Distinctive Thinking on Iranian Arts
Femgineers
Roots of Curiosity
Anahtar Sözcükler
Other Planes | Afrofuturism Podcast
MAP Radio Hour
SRS BSNS
The Comics Alternative
Narratives in Dark Culture
Future Lab Africa
Digital Arts Latin America
Pawncast
GARI
Listening Machines
Ars Leonardocast
Substantial Motion Research Network
அ முதல் America வரை
Athenaeum Review
U(bqt)Lab
Mediterranean Imaginaries
T-Shaped Shifters
Intisur
Elephant Says
Balance Unbalance
Gut Feeling
PAPO ARTECIÊNCIA
Lynx Science
DALA
Griot Sayansi
Biocoilider

Archives

2022
April
March

2021
December
November
October
August
April
February

2020
December
November
October
September
August
July
May
March
February
January

2019
December
November
October
September
August
July
June
May
April
March
February
January

2018
December
November
October
September
August
July
June
May
April
March
February
January

2017
December
November
October
September
August
June
May
April
March
February
January

2016
December
November
October
September
August
July
June
May
April
March
February
January

2015
December
November
October
September
August
July
June
May
April
March
February
January

2014
December
November
October
September
July

June 2022
S M T W T F S
     
      1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30

Syndication

Maryam Veysmoradi is a young Iranian filmmaker and director who has produced several short films. My dialogue with her revolves around issues such as the nature of the short film versus the feature film, the relationship between short films and ethical dilemmas, political realities, and the human being’s existential predicaments. Instead of dealing with subjects rooted in the minutiae of everyday life, in some of her works, she has tried to touch upon issues which are concerned with war and universal peace. Primarily, in this podcast, Maryam Veysmoradi elaborates on the nature of short film as an autonomous artistic medium which is aesthetically and ontologically distinguishable from its counterpart feature film. Although “brevity” is the principal characteristic of the short film, but Maryam emphasizes that this characteristic does not detract the strong influence of the short film in terms of engaging and evoking the emotional and mental state of its audiences. In her works, she wishes to achieve a universal cinematic language which can exceed human linguistic differences and that would enable to call upon human beings all across the world.