Creative Disturbance

Categories

general
Pioneers and Pathbreakers
Sound and Data
Adventures In Crowdfunding
Meta-Life
Cinemersia
New Leonardos
Virtual Africa
Art and Earth Science
Voices From the Crowd
Big Data Big Dreams
Indie Game Nation
Thoughts on Big Design
The Bold Roast: Student Conversations
Space Art and Culture
Frank Malina
Audiolats
Cellphonia
Noisy People
Within the Margins
RAMI
Rhythmically Inclined
Human Impacts Institute
Artisthinktive Iran: A Forum for Distinctive Thinking on Iranian Arts
Femgineers
Roots of Curiosity
Anahtar Sözcükler
Other Planes | Afrofuturism Podcast
MAP Radio Hour
SRS BSNS
The Comics Alternative
Narratives in Dark Culture
Future Lab Africa
Digital Arts Latin America
Pawncast
GARI
Listening Machines
Ars Leonardocast
Substantial Motion Research Network
அ முதல் America வரை
Athenaeum Review
U(bqt)Lab
Mediterranean Imaginaries
T-Shaped Shifters
Intisur
Elephant Says
Balance Unbalance
Gut Feeling
PAPO ARTECIÊNCIA
Lynx Science
DALA
Griot Sayansi
Biocoilider

Archives

2022
April
March

2021
December
November
October
August
April
February

2020
December
November
October
September
August
July
May
March
February
January

2019
December
November
October
September
August
July
June
May
April
March
February
January

2018
December
November
October
September
August
July
June
May
April
March
February
January

2017
December
November
October
September
August
June
May
April
March
February
January

2016
December
November
October
September
August
July
June
May
April
March
February
January

2015
December
November
October
September
August
July
June
May
April
March
February
January

2014
December
November
October
September
July

October 2016
S M T W T F S
     
            1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31

Syndication

بدن جولانگاه قدرت  / Your Body is a Battleground of power

 

بدن تو جولانگاه قدرت

بدنهای عوروعریان ،عاری از هرگونه  عناصر زیباشناختی جنسی، جنسیت را که ساختارها به صورت یک عارضه،بر بدنش داغ کردند را فریاد می زنند. فیگورها ادعای پس گرفتن حق پایمال شده ی تاریخی خود، از گذشتگان را ندارند بلکه اعاده حیثیت می کنند از حق انسان زیستن در بدنی جنسیت زدا. بدنی جنسیت زدا به این معنا که بر تمام بستر های معنی ساز به مفاهیم خط کشی ها  و تبعیض های جنسی کاذب مهر ابطال بزند و معیارهای جنسی  به معیارهای انسانی مبدل گردد.

آثار از مخاطب طلب می کند ،تحمل کند شرم دیدن،تقلیل دادن شرف وهستی انسانی،تحت عنوانزن به یک حفره واندام جنسی در جامعه . بدنهای زنان به دور از هر نوع حاشیه وابهام ،به صورت مخاطب می کوبند نگاه واقعیتی را که همه نا خواسته و ندانسته در آن بی انسان شدیم.

سخن من بر سر انکار،ستایش یا برجسته سازی تفاوتهای جنسی نیست، سخن من بر سر نقد دیدگاه ابزاری وتبعیض    امیز جنسی از هر نوع  وشکلش است

Shadi Moosavi is a contemporary Iranian artist. She deals with issues of sexuality, body ,and identity in her paintings. The distinguishing characteristic of her works is their emphasis on sexualized human bodies attempting to visually reveal how socio-political power relationships create and consolidate the common and fixed sexual stereotypes and sexually arranged roles of our times. Through assimilation of sexual organs in a single blood-stained body, Shadi Moosavi defines gender and sexuality as a social construction contributing to the core of political power in order to maintain dominance over women’s bodies and minds. In her statement about her paintings she says:

“The women’s body, lacking all the elements of sexual beauty, calls out the sexuality as an excrescence being scorched on the corps. The figures do not claim their trampled historical right from the ancestors; instead claim for their identity. The right of living likes a real human from the body detached from the sexuality; meaning that it eliminates all the foundations that create meaning in concept of rules and regulations and the pseudo-discriminations against the genders. And transform the sexual criteria’s to humanitarian ones.

The works ask the viewers to survive the taboo of looking at them, alleviating the honor and the being of human being in the name of “woman” to a “ sexual organ” in the society. Women’s body away from elaboration and ambiguity, brings a fact in front of the viewer’s face, we have turned inhuman even inadvertently.”

 


1