Thu, 29 November 2018
Since arriving at Boston University in 2005, Gregory Williams has delivered lectures and participated in numerous conferences in Europe and the United States. An editor-at-large of Brooklyn’s Cabinet magazine, he has published art criticism in periodicals, including Artforum, frieze and Texte zur Kunst. He has written catalogue essays for exhibitions of Rosemarie Trockel (Museum Ludwig in Cologne, Kunstmuseum Basel and WIELS in Brussels) and Martin Kippenberger (Tate Modern in London), and has authored book chapters for The Black Sphinx: On the Comedic in Modern Art, John C. Welchman, ed. (Zurich: JRP/Ringier, 2010) and Regarding the Popular: High and Low Culture in the Avant-Garde and Modernism, Sascha Bru, et al., ed. (Berlin and New York: Walther de Gruyter, 2011). Most recently, his essay, “Ground Control: Painting in the Work of Cosima von Bonin,” appeared in the Winter 2012 issue of Art Journal. His book, Permission to Laugh: Humor and Politics in Contemporary German Art, was published by the University of Chicago Press in 2012. |
Thu, 15 November 2018
Since arriving at Boston University in 2005, Gregory Williams has delivered lectures and participated in numerous conferences in Europe and the United States. An editor-at-large of Brooklyn’s Cabinet magazine, he has published art criticism in periodicals, including Artforum, frieze and Texte zur Kunst. He has written catalogue essays for exhibitions of Rosemarie Trockel (Museum Ludwig in Cologne, Kunstmuseum Basel and WIELS in Brussels) and Martin Kippenberger (Tate Modern in London), and has authored book chapters for The Black Sphinx: On the Comedic in Modern Art, John C. Welchman, ed. (Zurich: JRP/Ringier, 2010) and Regarding the Popular: High and Low Culture in the Avant-Garde and Modernism, Sascha Bru, et al., ed. (Berlin and New York: Walther de Gruyter, 2011). Most recently, his essay, “Ground Control: Painting in the Work of Cosima von Bonin,” appeared in the Winter 2012 issue of Art Journal. His book, Permission to Laugh: Humor and Politics in Contemporary German Art, was published by the University of Chicago Press in 2012. |
Tue, 13 November 2018
Luciano Queiroz (@lucianolqueiroz) e João Silveira (@johngaucho) recebem Ricardo Dal Farra para conversar sobre sua carreira nada convencional na música, a electroacústicaa relação da música com as mudanças climáticas e seu projeto “Balance Unbalance – BunB”.
Direct download: pac_005_mudancasclimaticas_musica.mp3
Category:PAPO ARTECIÊNCIA -- posted at: 5:05pm CDT |
Mon, 5 November 2018
Harvey Seifter, founder of Art of Science Learning, joins Dr. Kathryn Evans to discuss an experimental section of ARTS 1301 that will incorporate findings and practices from his organization, Art of Science Learning.
Direct download: Harvey_Seifter_Interview_2_11_4_19.mp3
Category:New Leonardos -- posted at: 6:51pm CDT |
Sat, 3 November 2018
Hansong dan is Associate Professor of English at the School of Foreign Studies, Nanjing University. His research interests include modern/contemporary American novels, 9/11 literature, posthumanism and Digital Humanities. He has authored numerous articles in nationally renowned journals, such asForeign Literature Review. His articles in English can be found in volumes published by Northwestern University Press and the Royal Swedish Academy of Letters, History and Antiquities. His book, To Realize the Universal: Allegorical Narrative in Thornton Wilder’s Plays and Novels, was published by Peter Lang in 2012. He has translated some works by Thomas Pynchon, Julian Barnes, and Thornton Wilder. |